'I'm The One Who really Loves You' received a full release on the Atlantic label in the US and Canada in 1987 and reached #11 on the Hot Dance Club Chart giving the Mel & Kim their third chart entry in the United States.
The 116 BPM song was actually a cover version having been released by Austin Howard in 1986 to underwhelming chart success before it was recorded for inclusion on Mel & Kim's début album – 'F.L.M.'
Following the album release there were plans for 'I'm The One Who Really Loves You' to become the sister's forth single release though this had to be put on hold as Supreme Records scrambled to adjust the sister's promotion schedule following Mel's unexpected medical diagnosis.
Despite this there were a batch of in house mixes produced by Pete Hammond and Yoyo for PWL and Atlantic Records also commissioned a slew of remixes courtesy of Robert Clivillés – (Soon to be famed for his chart successes with Robert Cole as The C & C Music Factory) - for a US release.
As Mel & Kim were unable to physically promote the track plans to break the American market where shelved and there was no promotion in the United States for 'I'm The One Who Really loves You'.
Initially the song was released on promotional 12" followed by a full release on 7” & 12” singles on the Atlantic label. The song did not receive a release in the UK or across Europe.
Neither the promo or official release featured a picture sleeve (though some featured a picture sticker using the Brian Aris colour shot from the 'F.L.M.' album) and there was no video treatment produced for the track.
There was also a limited release in Southeast Asia which housed the 4 track vinyl in a standard green and yellow industry sleeve baring the same sticker as some of the Atlantic releases but with the photo treated to look as if it were painted. (See bottom of this page to view the sticker!)
The sound of 'I'm The One Who Really Loves You' displays an unusual shift for Mel & Kim. Despite the sisters being known for having their own individual London House sound, the original Album Mix is almost an exact blue print of the original version released by Austin Howard back in 1986. Like Austin's version the album mix is produced by Pete Hammond and the sound is upbeat but devoid of the Chicago House sound that the sisters had made their own.
On most of the album releases the track solely features Mel & Kim's vocals although the Atlantic records edition of the 'F.L.M.' Album utilises the chorus of the Austin Howard recording in place of the sisters far superior vocal take alongside what tantalisingly sounds to be a solo performance of the verses by one of the sisters! Other than this unexpected move the sound production is identical on the Album Mixes across all territories.
PWL produced a number of mixes of the track including Yoyo's Extended Mix which starts with Mel & Kim singing the chorus in accapella before the treatment cascades into an extended version of the Album Mix. Like the Album mix, there are no additional vocal effects sampled and used in the production.
The Robert Clivillés mixes, commissioned by Atlantic Records for an American release provided a slew of lighter/fresher sounding treatments. The Stardom Groove Club Mix (referred to as the U.S. Remix on the original 'That's The Way It Is' 12” release) freshens up the track with a complete re-recording of the instrumentation and the overall effect is a lighter and fresher pop sound unlike the original Album Mix which has an almost retro sounding quality. The Stardom Groove Club Mix features a variety of vocal samples from the girls' vocals although these sound very organised and safe in comparison to the irresistibly chaotic, freer sampling of Phil Harding & Pete Hammond.
The Stardom Dub maintains the sound of the club mix but loses all of the verse vocals. The sisters chorus vocals and backing vocals are included alongside sampled vocal effects from their sung lyrics.
The Kick N Live Mix (confusingly also referred to as the U.S. Remix, this time on the 'That's The Way It Is' House Remix 12” release) is very similar in style to The Stardom Groove mixes taking the sound of the Club Mix and the vocal effects from the Dub mix and mashing these together to produce a funkier treatment.
The Done Properly Dub uses little of the sung lyrics but ramps up the vocal effects from the Kick N Live Mix using much of it's instrumentation.
The promotional and commercially released 7” and 12" singles both feature The Pop Radio Mix of 'I'm The One Who Really Loves You' though this mix is simply an edited version of The Stardom Groove Club Mix, all be it in two versions. The Pop radio Mix which features on the 7" fades at 2.55, quickly after the instrumental break whereas the Pop Radio Mix which on the 12" single continues on to end at 3.46. The 7" single is backed with The Hip Hop Radio Mix of the track which is an alternative edit of The Stardom Groove Mix which ends in acapella.
The 2019 'Singles Box Set', released by Cherry Red, included some unreleased mixes of 'I'm The One Who Really Loves You' including: the Chicago Club Mix, Chicago Dubstramental and the Chicago Radio Mix, alongside the Instrumental.
Had Mel not become unwell and the original plan to release 'I'm The One Who Really loves You' internationally followed then who knows where this change in sound would have taken the sisters and their careers. It was certainly a less comfortable musical progression than 'That's The Way It Is', which eventually became Mel & Kim's forth single release, but it presumably would have opened a lot of doors in the States due to the American mixes produced by Robert Clivillés.
As journalist Marc Andrews recalled - "I remember a giggly Mel insisting she was feeling better than ever and that she couldn't wait to work on Mel & Kim's second album. They planned to take it in a much more "house music" direction, influenced by the US remix of "I'm The One Who Really Loves You." (Read Marc's full interview here).
Whatever an international single release of the track would have brought, 'I'm The One Who really Loves You' would certainly have been an unexpected yet interesting single choice.