By the summer of 1989, Mel and Kim had left Supreme Records and signed to EMI, and there were plans to release a new single by the end of the season. However, Supreme Records still maintained the rights to the sisters' previous recordings and, in 1989, they commissioned the much sought after 'DMC' DJ, Alan Coulthard to produce a megamix of the girls' four smash hit singles, and new versions of Showing Out, which they planned to release to pave the way for a forthcoming F.L.M. Remix Album.
Alan told us:
"In September 1989, before I knew that Mel was ill, Supreme asked me to do a megamix of the girls' hits, Unfortunately, I never met Mel & Kim, but I loved their stuff, and their vibe. My favorite track of theirs would be That's The Way It Is. I'd like to have remixed that, but I am rather proud of this megamix - especially the sample effect in the mix from F.L.M. into That's The Way It Is. It still gives me goose bumps, although I know I shouldn't say that about my own mix. Although I was sent the DAT (Digital Audio tapes) tapes, I have a feeling I ended up using vinyl to mix it instead, and I did two versions of the megamix, and also two different remixes of Showing Out - the ‘Italio House Mix’ and The 'Techno Mix' - using the Italo sound which was current at the time, with Black Box etc.
I had put a lot of work into the megamix, and I think it was one of my best mixes, but it was never [properly] released in the UK, out of respect for the family [after Mel's death]. As a young producer who had left DMC a few months before, I had my own reasons for being devastated, as I think it would have been a big hit and it would have helped establish me at a very difficult time in my life. But I quickly realised that this was the right decision, and that life is far more precious than anything. There can be nothing more tragic than the death from cancer of a young girl struck down in her prime. Who knows what Mel and Kim would have achieved otherwise?"
Sadly, Mel & Kim's new single with EMI, and the F.L.M. Remix project, never materialised, although Supreme did release the megamix, under the title Megamix Ninety, in the UK on the 29th of January 1990. Promotional 12" singles were sent out with an accompanying press sheet, which focused on the girls' chart successes but, because Mel & Kim had left the label, Supreme was unaware that Mel's health was failing.
As with the sisters' third single release F.L.M., Supreme's plans were disrupted by some shocking news and, although the UK release went ahead, it was limited and completely un-advertised.
Over the coming months, the track was released across Europe on the labels: Blow Up, Mega, Polydor & Bite, this time with a press sheet that paid tribute to Mel and her success with Kim, calling them "probably the most successful singing duo of the 80s" and the Megamix Ninety the last sound document of Mel & Kim".
The sleeve design for Megamix Ninety utilises a stunning photograph from the 1987 Brian Aris' shoot, commissioned for the F.L.M. Album, which is printed in close up and in black and white, with 'Megamix Ninety' printed in orange lettering.
The French and Scandinavian releases of Megamix Ninety use the same design but both the photograph and the lettering appear in black and white. All releases utilise a small Pierre Terrason shot of the girls on the back cover, alongside the track listing and chart information on the individual single releases combined into the mix.
Megamix Ninety only received a very limited UK release on promotional 12” & promotional CD, on the Supreme label. The 12" single came in a Supreme Record company logo sleeve and the label does not include the usual 'promotional copy' title.
It received a much wider release in Europe, with official releases in Germany, France, Scandinavia and Belgium, appearing over four formats – 7” and 12” vinyl and 3” and 5” CD. Interestingly, there were some variations in the track listings between these releases.
The UK promotional CD includes the full version of Alan's Megamix Ninety, The Italio House Mix and The Italio House Mix Edit of Showing Out and, unusually, the Music Factory produced Leave It Out John' Megamix from 1988, which, until then, had only been available on a DJ mix 12” and CD through the Music Factory DJ service label. This megamix boasts the four UK single releases alongside I'm The One Who Really Loves You and From A Whisper To A Scream, and ends with an interesting spoken sample from one of the girls' many tv interviews.
In addition, there is also a very rare Test Press Promotional CD which was made available to DJ's using the same catalogue number - PRCD(X)161 - as the UK Promotional CD. This four-track disc leads with The Leave It Out John! Megamix, and is followed by one of Alan Coulhard's alternative edits of the officially released Megamix Ninety treatments. There is little difference other than the running time of this edit - 6.37 - although it employs slightly less segued samples in its intro and transitions from song to song. The Test Press disc also includes The Showing Out/Respectable Combi Mix and Showing Out The Italio House Mix.
Megamix Ninety was officially released in two versions. The Radio Mix, which is featured on the 7" single, comes in at 3.56 and combines Mel & Kim's four official single releases – Showing Out, Respectable, F.L.M. & That's The Way It Is - segued together in order of their release. There is very little in the way of new production on the sections of the singles used for the mix although there is an interesting vocal sample which appears to be Mel saying,“Make music man!” as the mix flows between Showing Out & Respectable. There is also the addition of a male voice saying “That's how it is, and keep on looking out for number one” from Pete Hammond's House Remix of That's The Way It Is as well as the Chic - Le Freak samples from Phil Harding's F.L.M. - 2 Grooves Under 1 Nation Remix. Being an edit there are only brief sections of the singles included in the megamix. The 7" single comes with the Italio House Mix Edit of Showing Out.
The Maxi Version is presented on the 12" single and comes in at 7.10, expanding on the amount of time used of each of the four songs. The b side features the full Italio House Mix of Showing Out.
Alan did produce a number of treatments for the Megamix Ninety before the final mix was selected by Supreme. However, the other treatments are very similar to the released mix with only minor differences in edit.
The 2019 Singles Box Set, released by Cherry Red, included a second megamix which was created by Alan back in 1989. This version is titled 12" Remix and differs from the far more radio friendly Megamix Ninety in its construction and the order in which the tracks play. There is also the addition of a line from Feel a Whole Lot Better thrown into the mix.
(Please refer to the discography section relating to Showing Out's single release for information on the Italio House Mixes)
Promotional Test Press CD Release
Supreme did not commission a video to accompany the release, which obviously had a huge effect on its sales.
However, an unofficial video did surface, featuring a compilation of clips from the Showing Out & Respectable videos intercut with clips of Mel & Kim performing Showing Out & Respectable on the Dutch TV show Countdown, Respectable performed on the Dutch show Pop Formule and F.L.M. Performed at The Montreux Rock & Pop Festival.
Sadly, production on the video treatment isn't as amateur as the compilation video put together to promote That's The Way It Is although it is slightly let down with the inclusion of quotes from the tracks lyrics appearing on screen.
Megamix Ninety was, most certainly, a victim of the timing of its release.
If there had been more time placed between Mel's death and the Megamix Ninety release then, perhaps, it would have been embraced as a fitting and respectful tribute, and received a more extensive release and promotions schedule. However, the lack of an official video, record company promotion, and the timing of the release impacted greatly on its chart position, and the Megamix Ninety did not repeat the success of the individual tracks of which it was comprised.